Monday, March 11, 2019
Everything That Rises Must Converge by Flannery O Connors
In Flannery OConnors Everything That Rises Must play, the character of Julian sees his mother as racist and narrow-minded referable to her sheltered upbringing and lack of knowledge and education of the black exertion for equality. He feels that due to his education that he has a high appreciation of social structure and inequality that his mother lacks, and he loathes her for this reason. However, scorn his higher education, he still bets on his mother for financial support withal as a grown man, and has a repressed emotional settlement on her. This is the sexual character conflict that Julian faces.In reality, Julian is as facetious and narrow-minded as his mother, he simply refuses to suffer to terms with this harsh reality, and as a result he plays bump off his own inadequacies and shallowness on his mother, by criticizing her and having a negative and discourage view of her. He mustiness come to terms with his repressed dependency on his mother and deep-seeded fee lings of failure and personal inadequacy. Unfortunately, it fills the event of his mothers stroke to realize that Julian must take c ar and depend on himself, and realize that he and his mother are almost very(a) in their social views and failures.The first instance of Julians facetiousness is seen on the walk to the bus station with his mother on their modal value to her weight reducing class. His mother finds herself on the topic of the recent African American civil rights movement, and how she remembers when she lived in the south on a deep woodlet with two hundred slaves. Julian tells her to stop talking round it, showing his non-racist and modern views, unlike his mother. However, he finds himself thinking of how the old plantation house must have looked before it became run down and abandoned, Negroes were keep in it.But it remained in his mind as his mother had cognise it. It appeared in his dreams regularly(OConnor 1082). He fantasizes about the plantation mansions glory days, an obvious example of how his external behavior is different than his inner neat feelings and wishes. As Booth illustrates, what kind of man is it, we ask, who always belies his true feelings? His life is full of such contradictions(1634). Julian lies to himself to cover his true self, that of a shallow failure. Then, after Julian and his mother get on the bus, a second instance of his inner-failure and true pathetic character is demonstrated.De bitchiness his divinatory high education and writing talent, he depends on his mother for specie and shelter, and sells typewriters. His mother is shown on the same parallel of facetiousness as she comments on the bus to another passenger, He wants to write but hes selling typewriters until he gets started . . .. I tell him that Rome wasnt construct in a day(OConner 1084). Despite the obvious personal failure, despite a college education is denied internally by Julian and externally by his mother, playing off Julians failure as taking his time.Julian pushes out his failure when put on the spot by entering a mental bubble in which he naturalised himself . . . From it he could see out and judge but in it was invulnerable from any kind of penetration from without(OConnor 1084). Julian goes on to daydream about various scenarios that he could upset his mother by bringing an Afro-American into there lives, such as dating a black woman, just punctuating his false belief of racial equality using blacks as experiments.A second instance of Julians repressed racism is seen when an black man enters the bus and Julian attempts to engage him in conversation to spite his mother, however, this action shows that Julian really does not view African Americans as people. Despite his assertions of social awareness, he views blacks as guinea pigs to be use to test his mothers tolerance of his actions. When a second black enters the bus, this time a woman with a child, the final instance of Julians insecurities and de pendencies is realized.Upon exiting the bus Julians mother insists upon giving the African-American womans child a penny. This may be seen as a movement of condescension, or that she thinks the black mother and child are poor, but in reality, it seems to simply be a friendly gesture she would do to any child, despite color. The black woman snaps in return, yelling at Julians mother that her child does not take money from anyone. This shock of rejection from an African-American causes her stroke, and in return, Julians epiphany.After he realizes what has happened, he comes to terms with his failures and dependency, he discovers he truly loves his mother, he shouts, Darling, sweetheart, wait (OConnor 1091). He then enters a world of guilt and sorrow(OConnor 1091). His previous thoughts that he had no emotional dependency on his mother, that he was superior to her, are shattered in his realization of his true self. His journey to self-identity is complete, and he must now care for at least his mother, but most importantly, himself.
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